Studio
When It Becomes
The artwork is formed from reclaimed electronic components, gathered into a single surface. Circuit boards, wires, and small fragments settle into a layered landscape, carrying marks of use and time. A line of text appears within this field, both as a statement and a presence, opening space for reflection on change, repetition, and the traces we leave behind.
Gritscapes (Sandpaper Landscapes)
This series of mixed media reliefs reimagines landscape through the raw tactility of sandpaper. Layers of abrasive paper form soft rises and shallow valleys, shaped by pressure and wear rather than image or paint. As light moves across the surface, the grain shifts subtly, creating a quiet sense of depth and movement.
I No Longer Exist
This piece brings together discarded electronic parts into a compact, textured surface. Circuit boards, cables, and small components accumulate like a constructed terrain, bearing signs of wear and previous function. Embedded within this material field, a line of text quietly interrupts the surface, acting less as a message and more as a moment of pause, pointing toward ideas of transition and persistence.
Carnation
This piece reimagines the carnation through assembled electronic fragments, drawing on the flower as a quiet symbol of freedom. The rigid logic of circuitry is reshaped into an organic form, where broken systems come together to suggest growth, resilience, and collective memory. Rather than illustrating an event, the work holds space for reflection on how freedom is built from many small, imperfect parts.
Robot
Built from reused industrial and electronic materials, this small robotic figure keeps the marks, weight, and imperfections of its original components. Pipes, fittings, and exposed wires are left visible, not disguised, allowing their previous lives to remain present in the object. Through a careful balance of form and posture, these functional elements come together in a way that suggests attention and restraint rather than action.
The figure does not aim to perform or explain itself. Instead, it holds a quiet presence, somewhere between machine and character. By assembling rigid, utilitarian parts into a form that feels almost empathetic, the work invites a simple reflection on how meaning and connection can emerge from materials never intended to express them.